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"Mary Shelley's Frankenstein" ( Kenneth Branagh ) and "Frankenstein" by Mary Shelley
This paper compares the film director Kenneth Branagh's and book author Mary Shelley's depictions of "Mary Shelley's Frankenstein" and "Frankenstein" respectively: Characters, relationships, plot, focus, images, pacing and style -- 1,350 words;

Victor Frankenstein
A discussion of the irrationality of the character of Victor Frankenstein in Mary Shelley's "Frankenstein". -- 987 words; MLA

"Frankenstein"
An analysis of the significance of thunderstorms in "Frankenstein," by Mary Wollstonecraft Shelley, as discussed by John Clubbe in his article "The Tempest-toss'd Summer of 1816: Mary Shelley's Frankenstein." -- 1,032 words; MLA

Film: "Frankenstein" (1931)
This paper examines the societal aspects of the classic Frankenstein story as presented in the 1931 film production of "Frankenstein", directed by James Whale. -- 925 words;

"Frankenstein" and "The Birthmark"
A comparative analysis of the characters of Alymer and Frankenstein in Mary Shelley's "Frankenstein" and Nathaniel Hawthorne's "The Birthmark". -- 920 words; MLA

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FRANKENSTEIN

The Real Monster
Through out the novel we are under the assumption that the demon in the novel is the man
who is disfigured and hideous on the outside. While we view Victor Frankenstein as the
handsome and caring victim, even though sometimes a monster can not be seen but heard.
Looks can be deceiving but actions are always true. 
We first view Frankenstein's ignorance while he busy in his work. He had not visited his
family for two straight years. These are the people that love and care about him, yet he
does not go home. Not even to visit his own father, the man who pays for his schooling
and necessities.
We again view his ignorance and irresponsibility when after spending two years of work on
his creature he disowns and abandons the creature. He runs out of the room after seeing
the creature come to life. He fled the room because he thought the creature was so
hideous, even though he had chosen all the best body parts for its creation. When
Frankenstein returns to the house when he became assured that my enemy had indeed fled, I
clapped my hands for joy(55). Even after all his work he is ecstatic that this horrible
beast has left him.
Victors' ignorance is viewed again when he does not tell anyone that he has created this
monster, and that he is the murderer of William. He does not tell of this creature until
his own welfare is on the line. He could have stopped these evil deeds the monster was
doing if he would have finished producing his mate, but Victor makes up reasons so that
he does not.
The monster on the other hand is the opposite of Victor Frankenstein. The feelings that
the monster has are shown when he is first created. He tries to speak to Frankenstein and
he smiles and reaches out a hand, just like a child reaching for their parent.
The monster's feelings are again displayed while he is living with the family. He
replenishes their supply of firewood very often, and when the monster discovers that
their food supply is running low he refrains from eating some of their food. The
strongest feeling he displays is after the only people he cared for despise him, and he
swears revenge on all mankind he saves a girl that falls into a river and almost drowns.

The monster did not like performing the horrible deeds that he did, but he was provoked
by Victor's irresponsibility and his ignorance. The monster reveals his feelings to
Walton while they stand over the corpse of Victor. He stated, Think you that the groans
of Clerval were music to my ears? My heart was fashioned to be susceptible of love and
sympathy; and when wrenched by misery to vice and hatred it did not endure the violence
of the change without torture such as you cannot even imagine(238). 
The monster acts with more respectable and reasonable decisions than Victor does. He has
a right for revenge. He has been abandoned, exiled, despised, and denied any form of
happiness. He has wants and needs that any human desires; care, love, and friendship. 
Works Cited
Shelley, Mary. Frankenstein. New York: Barnes & Noble Books, 1993
Bibliography
I like to golf.

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