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The Debate over the Use of "Huck Finn" in the School Curriculum
A discussion of different ideas about whether "Huck Finn" should be included in the school curriculum, and the author's personal view that Twain's purpose is to capture the essence of slavery so that readers can identify with each racial incident. -- 968 words;

"A True Book -- With Some Stretchers: Huck Finn Today" by Charles Nichols
A review of Charles Nichols' book, which examines Mark Twain's classic novel Huck Finn for the lessons it has to teach us today. -- 450 words;

Civilization in the Eyes of Huck Finn
A look at how Huck Finn, Mark Twain's immortal character, sees the world and how it compares to his notion of civilization. -- 529 words;

Human Morality in "Huck Finn" and "A Connecticut Yankee"
2,395 words;

Holden Caulfield and Huck Finn
Examines how these two characters from different novels rebel against the system. -- 1,223 words;

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HUCK FINN

Throughout the ages The Adventures of Huckleberry Finn has been a treasured novel to
people of all ages. For young adults the pure adventuresome properties of the book
captivates and inspires wild journeys into the unknown. The book appeals to them only as
a quest filled with danger and narrow escapes. It is widely considered "that children of
12 or so are a little too young to absorb the book's complexities" (Galileo: Morrow).
However, as readers mature and become older, they read the book through enlightened eyes.
They begin to understand the trials and moral struggles that this young boy undergoes in
resisting society, struggles that no adult would relish. This paper delves into how Huck
Finn rejects the accepted moral values and social mores of his society. 
Huck's independence and freethinking are marvels in a conformist's culture. By itself,
the fact that Huck stands up for something against the then-contemporary beliefs is no
significant event. The remarkable feat is that he stands up for something that he does
not believe. This is a fact seldom considered by our heroic notions of Huck, because in
this day and time slavery and dehumanization are abhorred by almost every ethnicity and
religion. Now people attempt to conceptualize what a tragedy and terror it was for
slaves. The picture is not pretty. Twain helps us with that visualization. Huckleberry
Finn is known as a fairly accurate depiction of what life was like in the south. In a
comparison with Tom Sawyer, Lionel Trilling says,
The truth of Huckleberry Finn is of a different kind from that of Tom Sawyer. It is a
more intense truth, fiercer and more complex. Tom Sawyer has the truth of
honesty—what it says about things and feelings [are] never false and always both
adequate and beautiful. Huckleberry Finn has this kind of truth, too, but it has also the
truth of moral passion; it deals directly with the virtue and depravity of man's heart.
(258)
This assertion tells the reader that most, in that time period, did have the same views,
reactions, and ethics as offered in the book. Huck is in direct opposition and
retaliation with almost all of these tenets. He first demonstrates this by wishing to
leave the Widow Douglas because she wants to "sivilize" him. The interesting observation
is,
…the irony of the Widow's attempt to teach Huck religious principles while she
persists in holding slaves. As with her snuff taking—which was all right because
she did it herself—there seems no relationship between a fundamental sense of
humanity and justice and her religion. Huck's practical morality makes him more
"Christian" than the Widow, though he takes no interest in her lifeless principles.
(Grant 1013)
Huck seems to have the inclination that something is wrong with her beliefs in God and
how people should follow Him, unfortunately he "couldn't see no advantage in going where
she was going, so [he] made up [his] mind [he] wouldn't try for it" (Twain 13). Huck
could not endure these rigors of formal southern training and finally he "couldn't stand
it no longer. [He] lit out" (Twain 13). Huck never did quite feel right in society, in
his hometown or in any of the towns he visited during his daring journey. Only when he
was in his rags and on the river by himself or with Jim did he feel "free and satisfied"
(Twain 12). Even with Jim, Huck feels a sense of uneasiness. His duty delegated by the
culture is to turn Jim in, yet he "was helplessly involved in doing the thing which his
society disapproved—freeing a slave. It was an action which he himself disapproved
but could avoid no more than his grammatical blunders" (Cox: The Fate… 383). Huck's
moral struggle with this situation is a central theme to the novel. It is so significant
that some believe "Huck's two-page struggle over whether to betray Jim is a masterpiece
of metaphysically comic inversion, a sardonic, hilarious examination of conscience"
(Galileo: Morrow). Now this predicament of monstrous proportions is considered "a
metaphor for all social bondage and injustice" (Grant 1013), since Twain wrote this after
the Civil War. Huck's dilemma is this, should he do what his society has bred into him or
do as his soul implores him? Those who have read the book know that "Twain affirms for us
the true humanity is of men rather than institutions, and that we can all be aristocrats
in the kingdom of the heart" (Grant 1014). Huck, after many fluctuations in conscience,
decides he will "go to hell" (Twain 221) and help Jim become a free man. This declaration
of goodwill affirms that Huck places more value on Jim's life than the beliefs of the
rest his culture. Huck not only displays this regard for Jim's life, also the life of
people of every race and moral standings standing he knows. Huck seems to dislike any
violence or harmful actions. An example of this is 
When [Huck] imprisons the intending murderers on the wrecked steamboat, his first thought
is of how to get someone to rescue them, for he considers 'how dreadful it was, even foot
murderers, to be in such a fix….[and] when [Huck] hears that [the Duke and the
King] are in danger from a mob, his natural impulse is to warn them. (Trilling 260-261)
Later in the book, everything of the Wilk's is to be sold and the slaves are to be split
up which "made [Huck] feel pretty bad" (Twain 185), even though he knows that "the sale
won't be valid, and it'll all go back to the estate" (Twain 185). Furthermore when
Colonel Sherburn shoots Boggs in cold blood and the crowd gathers savagely around the
colonel's place Huck asserts that "it was awful to see" (Twain 154). 
These instances show that the kind—heartedness that Huck displays is not just for
one man that he became intimately fond of through continual interactions. In fact when
Huck and Jim become separated after their boat was crashed into, "it [didn't] occur to
him to search for the old Negro" (O'Connor 444). So, while these subtle insinuations and
omissions seem to portray Huck as indifferent, altogether they continually serve to
illustrate his overall innate goodness. So while the reader can not help but believe
society has produced some influence on Huck "we believe in ultimately…Huck's
integrity" (Galileo: Bercovitch) and "hard—headed common sense" (Carter 288). 
Lastly, Huck displays his tangent from that typical society by refusing let money guide
his actions. This
…theme which Huckleberry Finn shares with most of the world's great novels is that
of man's obsession with the symbols of material wealth. The book opens with an account of
the six thousand dollars Huck got from the robbers' hoard and ends on the same note.
Throughout the intervening pages gold is shown to be not only the mainspring of most
human action, but usually the only remedy mankind can offer to atone for the many hurts
they are forever inflicting on one another. (Lane 442)
During the course of the novel, Huck encounters very large sums of money. Never do we
once receive the impression that he would take the wealth and keep it for his own selfish
gain. Huck decides to "sell all [his] property to [Judge Thatcher]" (Twain 28) so Pap
could not waste the money on "whisky". In addition, when the Duke and King stole the
three thousand dollars in gold from Peter Wilk's nieces, Huck stole it back from them.
The only thought, though, was returning the gold to the girls. Most would have taken the
money and ran—in their time period as well as ours. All these contributions lead to
the simple fact that "in a crucial moral emergency a sound heart is a safer guide than an

ill—trained conscience" (Baetzhold 352).
Bibliography
Baetzhold, Howard G. "The Prince and the Pauper." Mark Twain and John Bull: The British
Connection. Indiana University Press, 1970. Rpt. in Twentieth-Century Literary Criticism.
Ed. Laurie DiMauro. Vol. 48. Detroit: Gale, 1988.
Bercovitch, Sacvan. "What's Funny About Huckleberry Finn." Winter 1999. Online.
Surfsouth. 2 February 2000.
http://triton3.galib.uga.edu:4000/QUERY:fcl=1:%Asessionid=8142:25:entityChkscreen=2602/02/2000Errormsg.
Carter, Everett. "Finn, Huckleberry." The Mark Twain Encyclopedia. Eds. J.R. LeMaster and
James D. Wilson. New York: Garland Publishing, Inc., 1993.
Cox, James M. Mark Twain: The Fate of Humor. Princeton University Press, 1966. Rpt. in
Twentieth-Century Literary Criticism. Ed. Paula Kepos. Vol. 36. Detroit: Gale, 1988. 
Grant, William E. "Huckleberry Finn." 1,300 Critical Evaluations of Selected Novels and
Plays. Ed. Frank N. Magill. Vol. 2. Englewood Cliffs: Salem Press, 1998. 1012-1014
Lane, Lauriat, Jr. "Why Huckleberry Finn is a Great World Novel." College English. Vol.
17. (1955). Rpt. in Twentieth-Century Literary Criticism. Ed. Dennis Poupard. Vol. 12.
Detroit: Gale, 1988.
Morrow, Lance. "In Praise of Huckleberry Finn." May 1995. Galileo. Online. Surfsouth. 2
February 2000.
http://triton3.galib.uga.edu:4000/QUERY:fcl=1:%3Asessionid=8142:56entityChkscreen=5702/02/2000Errormsg.
O'Connor, William Van. "Why Huckleberry Finn Is Not the Great American Novel." College
English. Vol. 17 (1955). Rpt. in Twentieth-Century Literary Criticism. Ed. Dennis
Poupard. Vol. 12. Detroit: Gale, 1988.
Trilling, Lionel. "Huckleberry Finn." The Liberal Imagination: Essays on Literature and
Society. New York: Viking Press, 1950. Rpt. in Arthur L. Scott, ed. "1950 Lionel
Trilling." Mark Twain: Selected Criticism. Dallas: Southern Methodist University Press,
1997.
Twain, Mark. The Adventures of Huckleberry Finn. New York: The Reader's Digest
Association, Inc.1986.

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