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Macbeth and Lady Macbeth
An examination of the relationship between the character Macbeth and Lady Macbeth in William Shakespeare's play, "Macbeth". -- 568 words;

Macbeth and Lady Macbeth
Discusses how the contrast in the scenes leading up to and following Duncan's death enhances the characterizations of Macbeth and Lady Macbeth. -- 650 words;

Shakespeare’s “Macbeth”
This paper discusses Shakespeare’s “Macbeth” for the perspective of the marriage relationship between Lady Macbeth and Macbeth. -- 1,540 words;

Shakespeare’s Lady Macbeth
This paper discusses the mental state of Lady Macbeth from Shakespeare’s “Macbeth”. -- 1,850 words; APA

The Evil of Lady Macbeth
This paper examines the wicked character of Lady Macbeth in Shakespeare's "Macbeth." -- 1,355 words; MLA

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MACBETH

1998 07 December
William Shakespeare portrays honour as the theme in his play, nonetheless, the theme of
dishonour is illustrated in many of the characters. In Shakespeare's Macbeth, the theme
of honour is displayed, however the theme of dishonour is also focussed. Shakespeare
wants the play to be seen as honourable, but each of the protagonists are very
dishonourable and disloyal. They each try to mask their disloyalty with acts of honour,
but it is easily detected. The protagonists Lady Macbeth, Macbeth and Banquo share in
portraying the theme of dishonour throughout the play.
Lady Macbeth is a dishonourable woman, which can be detected many times in the play. She
preaches to her husband Glamis thou art, and Cawdor; and shalt be/ What thou promis'd,
(1.5.14.15). Lady Macbeth says that she is willing to go against her king, just to get
what she and her husband want. She also supports this when she tells her husband to come
to her for help So that I may pour my spirits in thine ear, (1.5.25). With this she says
that she will guide her husband through the murder. Critics also see the dishonour and
disloyalty in Lady Macbeth. On critic said Lady Macbeth is a disloyal ... woman, (Jameson
191). As she promises her husband the throne, guides him through the murders, and through
the view of a critic, Lady Macbeth proves to be a very dastardly and dishonourable
person. 
Macbeth, as does his wife, shows great dishonour and disloyalty. He first shows his
disloyalty when he says Hear it not, Duncan; for it is a knell/ that summons thee to 
Karolidis 2
heaven or to hell, (2.1.63-64). Macbeth is not at all phased by the murder he has
committed because he will either go to heaven or to hell anyway. Macbeth also proves his
disloyalty to everyone except himself when he says The castle of Macduff I will
surprise,(4.1.150). Macbeth claims that he will willingly go to Macduff's castle and take
it even with his wife and child in it. He also shows his disloyal when he says of his
wife when he learns about her death She would have died hereafter, (5.5.17). If Macbeth
was any man at all, the death of his wife would have set him off as it did to Macduff.
Macbeth portrays that he is a dishonourable man as he is not bothered after th murder of
his king, is willing to attempt to seize Macduff's castle, and is unaffected by the death
of his wife.
Although the dishonour of Banquo is not as easily detected, it is just masked better as
he just as disloyal as his counterparts. When it is said To make thee full of growing.
Noble Banquo,/ That hast no less deserv'd, nor must be known/ No less to have done so,
let me infold thee/ And hold thee to my heart, (1.4.29-32). 
When he says Thou hast it now: King, Cawdor, Glamis, all/ As the weird women promis'd,
(3.1.1-3) he poves his disloyalty. He is jealous that Macbeth has gotten what he was
promised, and he wants what he is entitled to. He also proves to be disloyal when he says
But the root and father/ Of many kings,(3.1.5-6). 
Karolidis 3
Banquo proves to be a dishonourable and disloyal man many times in the play, though he
tries to mask it.
Lady Macbeth, Macbeth and Banquo prove to be very dishonourable and disloyal characters
throughout the play. As much as these characters try to hide their disloyalty and
dishonour, it is visible even through the mask. Lady Macbeth is perhaps the most
dishonourable of the bunch, however Macbeth and Banquo fall a very close second and
third. The theme of honour is focussed frequently in the play, but the underlying theme
of dishonour is the base of the play.
Karolidis 4
Works Cited
Shakespeare, William. Macbeth. Toronto: Oxford University Press, 1977.
Jameson, Anna Brownell. Macbeth. Shakespearean Criticism. Vol. 3. Detroit, 
Gale Research, 19
Bibliography
1998 07 December
William Shakespeare portrays honour as the theme in his play, nonetheless, the theme of
dishonour is illustrated in many of the characters. In Shakespeare's Macbeth, the theme
of honour is displayed, however the theme of dishonour is also focussed. Shakespeare
wants the play to be seen as honourable, but each of the protagonists are very
dishonourable and disloyal. They each try to mask their disloyalty with acts of honour,
but it is easily detected. The protagonists Lady Macbeth, Macbeth and Banquo share in
portraying the theme of dishonour throughout the play.
Lady Macbeth is a dishonourable woman, which can be detected many times in the play. She
preaches to her husband Glamis thou art, and Cawdor; and shalt be/ What thou promis'd,
(1.5.14.15). Lady Macbeth says that she is willing to go against her king, just to get
what she and her husband want. She also supports this when she tells her husband to come
to her for help So that I may pour my spirits in thine ear, (1.5.25). With this she says
that she will guide her husband through the murder. Critics also see the dishonour and
disloyalty in Lady Macbeth. On critic said Lady Macbeth is a disloyal ... woman, (Jameson
191). As she promises her husband the throne, guides him through the murders, and through
the view of a critic, Lady Macbeth proves to be a very dastardly and dishonourable
person. 
Macbeth, as does his wife, shows great dishonour and disloyalty. He first shows his
disloyalty when he says Hear it not, Duncan; for it is a knell/ that summons thee to 
Karolidis 2
heaven or to hell, (2.1.63-64). Macbeth is not at all phased by the murder he has
committed because he will either go to heaven or to hell anyway. Macbeth also proves his
disloyalty to everyone except himself when he says The castle of Macduff I will
surprise,(4.1.150). Macbeth claims that he will willingly go to Macduff's castle and take
it even with his wife and child in it. He also shows his disloyal when he says of his
wife when he learns about her death She would have died hereafter, (5.5.17). If Macbeth
was any man at all, the death of his wife would have set him off as it did to Macduff.
Macbeth portrays that he is a dishonourable man as he is not bothered after th murder of
his king, is willing to attempt to seize Macduff's castle, and is unaffected by the death
of his wife.
Although the dishonour of Banquo is not as easily detected, it is just masked better as
he just as disloyal as his counterparts. When it is said To make thee full of growing.
Noble Banquo,/ That hast no less deserv'd, nor must be known/ No less to have done so,
let me infold thee/ And hold thee to my heart, (1.4.29-32). 
When he says Thou hast it now: King, Cawdor, Glamis, all/ As the weird women promis'd,
(3.1.1-3) he poves his disloyalty. He is jealous that Macbeth has gotten what he was
promised, and he wants what he is entitled to. He also proves to be disloyal when he says
But the root and father/ Of many kings,(3.1.5-6). 
Karolidis 3
Banquo proves to be a dishonourable and disloyal man many times in the play, though he
tries to mask it.
Lady Macbeth, Macbeth and Banquo prove to be very dishonourable and disloyal characters
throughout the play. As much as these characters try to hide their disloyalty and
dishonour, it is visible even through the mask. Lady Macbeth is perhaps the most
dishonourable of the bunch, however Macbeth and Banquo fall a very close second and
third. The theme of honour is focussed frequently in the play, but the underlying theme
of dishonour is the base of the play.
Karolidis 4
Works Cited
Shakespeare, William. Macbeth. Toronto: Oxford University Press, 1977.
Jameson, Anna Brownell. Macbeth. Shakespearean Criticism. Vol. 3. Detroit, 
Gale Research, 19

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