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"Mary Shelley's Frankenstein" ( Kenneth Branagh ) and "Frankenstein" by Mary Shelley
This paper compares the film director Kenneth Branagh's and book author Mary Shelley's depictions of "Mary Shelley's Frankenstein" and "Frankenstein" respectively: Characters, relationships, plot, focus, images, pacing and style -- 1,350 words;

Mary Shelley’s "Frankenstein or The Modern Prometheu"
This paper discusses Mary Shelley’s use of the Greek legend of Prometheus, the god that defied Zeus and brought fire to humans, in her book “Frankenstein or The Modern Prometheus”. -- 1,120 words; MLA

Mary Shelley's "Frankenstein"
This paper compares the novel and film versions of Mary Shelley's "Frankenstein". -- 1,800 words;

Mary Shelley's "Frankenstein"
This paper discusses surgical themes and ideas in Mary Shelley's "Frankenstein". -- 2,355 words; MLA

Mary Shelley’s "Frankenstein"
A critical analysis of Mary Shelley's "Frankenstein" or "The Modern Prometheus". -- 1,890 words;

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MARY SHELLEY

Mary Shelley and Her Yearning for Knowledge
Mary Wollstonecraft Shelley, was the daughter of the radical feminist, Mary
Wollstonecraft, and the political philosopher, William Godwin, and the wife of the
Romantic poet, Percy Bysshe Shelley. Through these familial affiliations, she was also
acquainted with Lord Byron Samuel T. Coleridge, and other literary figures such as
Charles and Mary Lamb. Surrounded by such influential literary and political figures of
the Romantic Age, it is not surprising that as an adolescent, at the age of 19, she wrote
Frankenstein. Though critically a failure, (British Critic, 1818 and Monthly Review,
1818) the novel has never been out of print and has been translated into numerous
languages. What is surprising, however, is the enormous body of knowledge contained in
the novel. The novel contains references to the fields of literature, poetry, science,
education, politics, history, and mythology. How did such a young girl, living a life
considered morally objectionable to society and harassed by family and financial burdens,
acquire such a vast amount of knowledge in all fields of study that encompassed the
important issues of her day? Through examination of biographical information and Mary
Shelley's journal entries, it will be able to answer this question. Following, I also
plan to highlight Mary Shelley's knowledge of literature with primary emphasis on the
works studied by the monster in relation to his origins as well as Mary Shelley's. 
Mary Shelley was born with notoriety simply by being named Mary Wollstonecraft Godwin.
Her parents were well-known and somewhat suspect individuals due to their radical
political beliefs and writings, such as Wollstonecraft's Vindication of the Rights of
Women and Godwin's Enquiry Concerning the Nature of Political Justice. Mary Shelley's
mother died from complications shortly after giving birth to Mary. The infamy of her
existence was heightened by her father's subsequent publication of Memoirs of the Author
of the Rights of Women. In this work, William Godwin described many aspects of Mary
Wollstonecraft's existence in great detail such as: her relationship with an American and
subsequent birth of an illegitimate daughter, her suicide attempts, and the fact that she
was already pregnant with Mary when William Godwin married her. To the late 20th Century
sensibilities we may not approve of these behaviors but we certainly don't consider then
shocking or extraordinary. The above mentioned events, however, occurred in the late
1700's and were not morally acceptable, were abhorrent to the conventions of society, and
were certainly not to be discussed or published in a memoir. William Godwin's publication
of this memoir, more than any other event, created an air of societal stigma around Mary
Shelley almost from the moment of her birth.
Mary Shelley increased her already infamous existence by running off with Percy Bysshe
Shelley when she was 17 in 1814. Percy Shelley was already married and abandoned his
pregnant wife and his daughter to live with Mary Shelley. They lived together and had two
illegitimate children prior to getting married in December 1816. They married a couple of
weeks after Percy's wife, Harriet, committed suicide by drowning herself in the
Serpentine. Mary Shelley became a societal outcast for these actions and had few friends.
Within days she discovered that all of her old circle shunned her, intimates who had
cherished her and friends who professed the most liberal principles (Sunstein 88). Her
own father, hypocritically enough, who lived with Mary Wollstonecraft without being
married, would not speak to Mary until she and Percy were legally married. Godwin
publicly stated, Mary has committed a crime against hallowed social arrangements,
morality, her family, and Harriet Shelley(Sunstein 89).
Mary and Percy also had numerous other family and financial problems. Even though Percy
was to eventually inherit a considerable amount of money, he had many debts and was
constantly harassed by creditors. The couple continually moved in order to evade bill
collectors. The first ten months of their relationship they moved four times and, in
fact, never shared a permanent home together. The couple also had to deal with ostracism
from their families as well as many deaths in the family. During their first two and half
years together their first child was born prematurely and died two weeks later, Percy's
first wife committed suicide, and Mary's half sister, Fanny Imlay, committed suicide. In
the midst of numerous pregnancies and family, financial, and societal turmoil, however,
Mary Shelley managed to conceive of, write, and publish the enduring Frankenstein Again,
one must ask how such a young woman, not much more than an adolescent, who was besieged
by so many difficulties that few would be able to withstand, could have the creative
imagination and even find the time to write this novel.
Not only was Mary Shelley born with notoriety due to an infamous name but also was also
considered the child of two literary parents and high expectations were placed on her
creative output. There were many prestigious visitors to the Godwin household, with one
of the most notable and influential being Samuel T. Coleridge. When Mary Shelley was very
young, she heard Coleridge recite the famous Rime of the Ancient Mariner which would
later be referenced many times in Frankenstein. She never received a formal education,
normal for women for that time period, but grew up surrounded by literary figures and the
writings of her parents and was always encouraged to study and be creative. Influenced by
Godwin, Mary Shelley developed a lifelong habit of deep and extensive reading and
research(Bennett, Romantic Revisions, 299).
Mary Shelley's desire to acquire knowledge and her disciplined study and research habits
are demonstrated in her journal entries. She rarely wrote anything of a personal nature
so there is little biographical information to be gained from the journals. She did,
however, keep a detailed record of what she was reading and studying on an almost daily
basis. On a typical day she generally studied a complex work, read some of a novel, and
studied a foreign language. For example, on September 19, 1814, Mary studied Greek, read
Rasselas, by Samuel Johnson, and read a novel called The Sorcerer (Feldman, 27). Almost
every day is filled with a similar pattern of study. Even in the midst of all the
difficulties discussed previously, she still spent a considerable portion of each day
doing research. The only times that the amount of her work and research abated was when
she was ill, which was often due to her many pregnancies, or something truly traumatic
happened, such as the death of a child or other family member. The desire to acquire
knowledge and the intense passion for research and study is evident throughout the novel,
Frankenstein and is demonstrated through the three narrators; Victor Frankenstein,
Walden, and the monster. Frankenstein's and Walden's quest for new knowledge of the
unknown and the monster's search for knowledge of his origins parallel Mary Shelley's
lifelong scholarly pursuit and her interest in her own biological origins due to her
birth causing her mother's death.
At the very beginning of the novel, Mary Shelley's educational experiences and love of
literary research are told through Walden, the arctic explorer.
My education was neglected, yet I was passionately fond of reading. These volumes were my
study day and night(Shelley, 2).
These visions faded when I perused, for the first time, these poets whose effusions
entranced my soul and lifted it to heaven. I also became a poet and for one year lived in
a paradise of my own creation; I imagined that I also might obtain a niche in the temple
where the names of Homer and Shakespeare are consecrated(Shelley, 2). In narrating his
experiences to Walden, Victor Frankenstein also tells of his yearning for a higher
knowledge. The following passages demonstrate this: 
One man's life or death were but a small price to pay for the acquirement of the
knowledge which I sought, for the dominion I should acquire and transmit over the
elemental foes of our race(Shelley, 13). 
You seek for knowledge and wisdom as I once did; and I ardently hope the gratification of
your wishes may not be a serpent to sting you, as mine has been(Shelley, 15). 
Many of the works that Mary Shelley studied are evident in the voice and character of
Frankenstein's monster and through this character the reader is given a demonstration of
the pursuit of knowledge as related to one's search for his origins. Since Victor
Frankenstein abandoned his creation, the monster was left to fend for himself in a
society hostile to his gigantic and terrifying appearance and was forced to learn and
develop without any parental guidance. Mary Shelley introduced the theory of the
development of human knowledge and awareness as defined by John Locke in his Essay
Concerning Human Understanding which she studied almost daily in December 1816 and
January 1817 (Feldman, 148-154 and Pollin, 107). During this time she was already working
on the novel. Her assumptions of the development of human understanding correspond to
those of Locke, concerning the absence of innate principles, the derivation of all ideas
from sensation or reflection, and the efficacy of pleasure and pain in causing us to seek
or avoid the various objects of sensation (Pollin, 107). The following passage is one of
many examples of Mary Shelley's belief in John Locke's theory.
It is with considerable difficulty that I remember the original era of my being; all the
events of that period appear confused and indistinct. A strange multiplicity of
sensations seized me, and I saw, felt, heard, and smelt, at the same time; and it was,
indeed, a long time before I learned to distinguish between the operation of my various
senses (Shelley, 87). 
Another considerable influence on Mary Shelley and in turn the monster, was the works of
Rousseau. Mary studied Rousseau early in her own intellectual development (Marshall, 182)
and during the period that she composed Frankenstein (Feldman, 93-97). In Rousseau's
Second Discourse is a discussion on the state of natural man or what Rousseau calls the
noble savage. Frankenstein's monster is an embodiment of this state of being developed by
Rousseau, in which the monster first discovers himself and later the knowledge of
language and the conventions of society. The monster's narration of his personal
development and later acquisition of knowledge has been recognized by critics of the
novel as a noble savage whose early life in the forest (drinking at brooks, eating nuts
and berries and not meat, sleeping under trees, encountering fire for the first time,
acquiring language, and so on) conforms in general outline and specific details to the
life of Rousseau's savage(Marshall, 183).
As you can see, Mary Shelley not only wrote a great book, but she also was a very
knowledgeable author and a very creative one. This paper should help you understand why
Mary Shelley wrote Frankenstein and what inspired her to write, including the other
stories and poems she did. Mary Shelley was a creative author that won her a lot of
acknowledgement. 

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