FREE ESSAY ON MTV

MTV

MTV 
Everyone remembers Michael Jackson's red leather jacket covered with zippers and the sexy
style of Madonna. MTV, or music television, nationally publicizes these images and
entertainers, and others like them. The station also promotes an idealized teen
lifestyle, reflecting the images of these famous artists, that contrasts with the
realities of the Generation X lifestyle. While some view the station as illustrated radio
or an entertainment network for viewers' pleasure, others more accurately assess it as an
advertising enterprise that endorses products and promotes attitudes. The advertisements
that are both hidden in videos and placed in regular slots, influence viewers. Whether or
not MTV critics agree with these messages that the network sends out, it has become a
huge franchise generating large profits and great popularity. During the 1980's, MTV grew
from being strictly a music video station to an original, three-station network that
became the choice of several generations of viewers and the advertisers who court them.
MTV's entertainment, commercialism, and messages satisfy and influence many types of
viewers, giving them a healthy sense of group identity. In 1981, MTV became one of the
first stations to be able to appeal to such a populous audience as the twelve to
twenty-four year old age group. The chief operating officer of Warner-Amex Satellite
Entertainment Company (WASEC) felt that there was a body of young people being ignored,
hence the company designed MTV (Denisoff 37). Although at first success was
unpredictable, the MTV network fought off competition by such competitors as the powerful
Turner Broadcasting System (Daspin 20). There isn't room for two or three services doing
the same thing, commented MTV's Bob Pittman (Hedegaard 38). Later, the MTV network came
out with VH1, or Video Hits One, a music station for older viewers, and Nickelodeon, a
children's service station (Daspin 19). These two stations and the original MTV station
gave the network a station for an audience of just about any age, satisfying many
advertisement agencies. Once the advertisement industry noticed the MTV network's
popularity, it became a very desirable sales medium. Advertising agent Kevin Burns
explains that if you're a national advertiser and you buy teens, you're going to buy MTV
(Viacom 11). MTV appealed to its viewers by constantly televising popular singers and
other role models. A music video endorses many nonmaterial items, as well as material
items. Regular inter-program commercials usually promote brands of physical items.
However, in music videos with popular singers, messages and images are promoted to the
viewer. Videos increase an entertainer's popularity, thus promoting his/her record,
producer, type of music, style of dance, and physical image. This popularity increases
profit for many industries. The artist's record sales boom, benefiting the record
company, the record stores, and any other person involved in the process of production.
MTV was dealing with the [record] labels, not the artists, states R. Serge Denisoff
(154). In addition, clothing companies benefit when the singer wears their brand.
Creative director Judy McGrath feels that MTV videos are almost a subliminal fashion
show, meaning that clothing brands and styles are introduced and publicized through music
videos (Denisoff 258). Lastly, fine arts companies, specifically dance and music,
increase in popularity as people wish to imitate the musicians. A perfect example of this
advertising scenario is Michael Jackson's Beat It video. In the early 1980's the already
popular pop singer came onto the screen wearing a red leather jacket and a sparkling
glove. He introduced an ankle-flicking dance style that moved to the beat of his
pop-style music. Soon children across America were wearing replicas of the clothes and
moon-walking down the schools' hallways. In this scenario, Michael Jackson, pop music,
red leather jackets, dancing, and Motown Records all became popular. With so many brands
and agencies wanting to place their ads on MTV, the network itself needed to advertise
its own information and existence in some way to increase its own profit. The network
began to air animated segments after commercial breaks that endorsed the MTV logo. Then
in 1989, the network issued In The Bin, a newsletter designed to unite MTV, VH1, and
retailers (Newman, MTV Spreads 55). The newsletter included advertisements and
information about new developments in the MTV Network. These endorsements for the network
get people interested in MTV. In 1984, Dire Straits' hit Money For Nothing, had people
around the country singing the verse, I want my MTV. The lyrics of the song were
satirical; they talked about the unfairness of being an MTV star. However, the singer
wanted to experience similar stardom, where life was easy, or as Dire Straits sang, the
stars got ...money for nothing and the chicks for free. In reality, Dire Straits
themselves were MTV stars. Just as the imaginary voice in the song chanted I want my MTV,
everyone wanted their MTV, including foreign countries. In the late 1980's, MTV expanded
to Holland, Germany, South America, and many other European countries. The MTV Europe
network offers programs similar to the United States' version (Dupler, New MTV Prez 55).
In Taiwan, people frequently pirated MTV videos to show in the popular parlors or showing
booths (Smith 63). It is possible that MTV has become a means of exporting American
values to and creating a national teen subculture in other nations. This influence in
other nations was important for economic expansion and the promotion of styles. One might
ask, How can this entertainment empire be so perfect? The answer is that it is not.
Although MTV has many fans, there are almost as many people who criticize the network.
According to John Hamerlinck, a freelance writer for The Humanist, religious moralists
feel that MTV's combination of television and rock 'n' roll is both potent and
frightening (43). Many people feel that some videos display immoral sexual content. There
were also rumors that MTV segregated videos and that the station initially refused to
play Michael Jackson's Beat It video (Allen 83). John Hamerlinck disagrees that MTV has
broken any morality code. He says that MTV is a business that represents the values of a
corporate world, not a philosophy or an alternative to religion (Hamerlinck 43). The
network's reply to the allegations of racism was that they gear their videos towards a
rock and roll audience (Denisoff 66). Letters written to cable companies often said that
MTV was a waste of money and that it was suggestive and offensive for young children
(Denisoff 177). Many people including artists themselves also feel that videos make image
more important than music itself. Hit artist Joe Jackson commented in a Billboard
magazine interview: Things which used to count, such as being a good composer, player or
singer, are getting lost in the desperate rush to visualize everything. It's now possible
to be all of the above and still get nowhere simply by not looking good in a video or,
worse still, not making one. (Denisoff 263) In order to defeat this anti-MTV campaign,
some citizens have tried to ban MTV from their homes, while MTV has made a few additions
to its normal program. Dimension Cable Service in Texarkana, Texas offers a channel trap
to block the MTV signal (Newman, MTV Taking 92). MTV's effort to fight back against the
anti-MTV activists has included many public service announcements about racism, sexism,
and homophobia (Hamerlinck 43). One of their most famous PSAs, entitled Rock The Vote,
encourages young adults to register to vote and to utilize their voting privileges. When
a Just Say No slogan flashes across the television screen in between a seductive Madonna
video and a gangsta rap video reenacting a drug transaction, the public feels a relief of
tension. The extent of MTV's morality or immorality must be judged by each individual. In
1981, no one expected MTV to be such a powerful franchise fourteen years later. It
developed a new style of entertainment that competitors can only wish to copy. Becoming
an MTV star was a dream to many people. Advertisers were more than happy with the
network's stations that satisfied so many viewers and had distinct personalities. Music
videos changed the image of music. As Essence columnist Bonnie Allen says, MTV made us
look at the sound of music (83). Bibliography Allen, Bonnie. The 1980's. Essence Dec.
1989: 82-84. Daspin, Eileen. Davis Horowitz: I Want My MTV. Management Review Oct. 1985:
19-20. Denisoff, R. Serge. Inside MTV. New Brunswick: Transaction Publishers, 1989.
Dupler, Steven. New MTV Prez: No Big Changes Planned At Channel. Billboard 27 May 1989:
55. Hamerlinck, John. MTV and Morality. The Humanist Jan./Feb. 1995: 43. Hedegaard, Erik.
New MTV Channel Aims For Older Audience. Rolling Stone 11 Oct. 1984: 38. Newman, Melinda.
MTV Spreads The News. Billboard 18 Feb. 1989: 55. ---. MTV Taking A Harder Look At Vids?
Billboard 18 Nov. 1989: 1+. Smith, Glenn. 'MTV Parlors' Popular In Taiwan. Billboard 16
Sep. 1989: 63. Viacom Buys MTV. Fortune 30 Sep. 1985: 10-