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Oedipus Rex
This paper discusses 'Oedipus Rex' by Sophocles and examines why this work remains so noteworthy after such a long time. -- 1,376 words; MLA

Sophocles' "Oedipus Rex"
A summary and analysis of the famous Greek tragedy by Sophocles, "Oedipus Rex". -- 1,872 words; MLA

Interpreting 'Oedipus Rex'
A discussion of universalism vs. historical perspectives in literary critiques of 'Oedipus Rex'. -- 1,796 words; MLA

Faith in 'Oedipus Rex'
A discussion regarding the theme of faith in the play 'Oedipus Rex' by Sophocles. -- 1,824 words; MLA

Social Influence in “Lysistrata”, “Oedipus Rex” and “A Raisin In The Sun”
A study of the influence of society and their families on the characters of the three plays: “Lysistrata”, “Oedipus Rex” and “A Raisin in the Sun”. -- 2,090 words; MLA

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OEDIPUS REX

Oedipus Rex
" A man who is highly renowned and prosperous, but one who is not pre-eminently virtuous
and just,
whose misfortune, however, is brought upon him not by vice and/or depravity, but by some
error of
judgment or frailty." - Aristotle
In Sophocles' Oedipus The King, Oedipus, the main character who kills his father and
marries
his mother, undoubtedly qualifies as a tragic hero. According to Aristotle's definition,
a tragic hero
must be "highly renowned and prosperous." Oedipus was the King of Thebes and was highly
renowned for solving the riddle of the Sphinx and killing the monster. A victim of fate
vilified by all,
he discovers his own downfall and rips out his eyes in self-punishment. This is
castration for his
incestuous sin.
One of Oedipus' key flaws lies in his will to know-and thereby, to control all reality.
Oedipus'
knowledge and determination help him intellectually with solving mysteries - like the
riddle of the
Sphinx - but lead him ultimately to his tragic downfall. The petition of the chorus that
opens Oedipus
the King attests to Oedipus' responsible leadership. He has been a good king for Thebes,
and when in
trouble is forthright to saving his city, but in his excitement and energy, Oedipus has
no discretion. 
When, for example, Creon wisely hints that they should discuss the prophecy from the
oracle in
private, Oedipus refuses, insisting that every action related to freeing corruption from
the city must be
public. 
In his path to follow his will with an intellectual passion, Oedipus listens to no one
and
is convinced he is doing nothing but good. His dynamic drive to solve the mystery and
perform this
intellectual feat in front of all his people end in horror, as he finally discovers that
the murderer is no
one but himself. By this total error of judgment and blindness Oedipus makes himself a
tragic hero. 
To the chorus, Oedipus explains his blinding as his mournful inability ever to look upon
his loved ones
again, but the violence also represents his attack on that part of him that cannot stop
seeking out and
finding what is hidden, despite the fateful consequences. 

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