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FREE ESSAY ON WILLIAM TURNER

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Turner's "Frontier Thesis"
An analysis of John Ford's classic, "The Man Who Shot Liberty Valance" by comparing the film to William Turner's "Frontier Thesis". -- 1,069 words; MLA

Fires of Jubilee: Nat Turner's Fierce Rebellion
This paper discusses Stephen Oats' book "Fires of Jubilee: Nat Turner's Fierce Rebellion". -- 1,000 words;

Turner Syndrome
This paper discusses Turner Syndrome, a disorder characterized by short stature and slow growth among girls. -- 2,445 words; MLA

J. M. W. Turner
An examination of J. M. W. Turner's "Fishing Boats with Hucksters Bargaining for Fish." -- 1,582 words; MLA

Ted Turner
A biography of the life of the business tycoon, Ted Turner. -- 1,267 words; MLA

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WILLIAM TURNER

One of the finest landscape artists was J.M.W. Turner, whose work was exhibited when he
was still a teenager. His entire life was devoted to his art. Unlike many artists of his
era, he was successful throughout his career. 
Joseph Mallord William Turner was born in London, England, on April 23, 1775. His father
was a barber. His mother died when he was very young. The boy received little schooling.
His father taught him how to read, but this was the extent of his education except for
the study of art. By the age of 13 he was making drawings at home and exhibiting them in
his father's shop window for sale. 
Turner was 15 years old when he received a rare honor--one of his paintings was exhibited
at the Royal Academy. By the time he was 18 he had his own studio. Before he was 20 print
sellers were eagerly buying his drawings for reproduction. 
He quickly achieved a fine reputation and was elected an associate of the Royal Academy.
In 1802, when he was only 27, Turner became a full member. He then began traveling widely
in Europe. 
Venice was the inspiration of some of Turner's finest work. Wherever he visited he
studied the effects of sea and sky in every kind of weather. His early training had been
as a topographic draftsman. With the years, however, he developed a painting technique
all his own. Instead of merely recording factually what he saw, Turner translated scenes
into a light-filled expression of his own romantic feelings. 
As he grew older Turner became an eccentric. Except for his father, with whom he lived
for 30 years, he had no close friends. He allowed no one to watch him while he painted.
He gave up attending the meetings of the academy. None of his acquaintances saw him for
months at a time. Turner continued to travel but always alone. He still held exhibitions,
but he usually refused to sell his paintings. When he was persuaded to sell one, he was
dejected for days. 
In 1850 he exhibited for the last time. One day Turner disappeared from his house. His
housekeeper, after a search of many months, found him hiding in a house in Chelsea. He
had been ill for a long time. He died the following day--Dec. 19, 1851. 
Turner left a large fortune that he hoped would be used to support what he called
decaying artists. His collection of paintings was bequeathed to his country. At his
request he was buried in St. Paul's Cathedral. 
Although known for his oils, Turner is regarded as one of the founders of English
watercolor landscape painting. Some of his most famous works are Calais Pier, Dido
Building Carthage, Rain, Steam and Speed, Burial at Sea, and The Grand Canal, Venice. 

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